Skip to content
Facebook-f X-twitter Instagram Youtube Soundcloud
Menu
  • PROJECTS
  • CULTURE
  • LONG READS
  • QUICK READS
  • INTERVIEWS
  • REVIEWS
  • COLUMNS
  • PODCASTS
  • VIDEOS
Menu
  • Reviews
  • Cultural criticism
  • Interviews
  • Columns
  • Podcasts
  • Profiles
  • Reportage
  • Photo essays
  • State violence & carcelity
  • Dissent
  • Narrative Control
  • Majoritarianism & mass Violence
  • Lawfare
  • Hyperimperialism & Technology
  • Climate & Ecocide
  • Mind , Memory & Trauma
  • About
  • Archive
  • Research
  • Submissions
  • Events
  • Masthead
Menu
  • Reviews
  • Cultural criticism
  • Interviews
  • Columns
  • Podcasts
  • Profiles
  • Reportage
  • Photo essays
  • State violence & carcelity
  • Dissent
  • Narrative Control
  • Majoritarianism & mass Violence
  • Lawfare
  • Hyperimperialism & Technology
  • Climate & Ecocide
  • Mind , Memory & Trauma
  • About
  • Archive
  • Research
  • Submissions
  • Events
  • Masthead
Polis Project

Palestine

How NYPD Commissioner Jessica Tisch Bolstered a System of Racialized Surveillance, Tech-integrated Policing

Suchitra Vijayan
Anuparna Roy Songs of Forgotten Trees

Anuparna Roy on Love, Labor, and Resistance in ‘Songs of Forgotten Trees’

Kaashif Hajee
Gaza Disavowal

Why Does Knowledge Not Galvanize Action Anymore? On Gaza, Disavowal, and the Myth of ‘Ethical Consumerism’

Narayanan Gopalakrishnan
Mimi Syed

Genocide Through the Eyes of an Emergency Physician: Dr. Mimi Syed on Her Experience at Al-Aqsa and Nasser Hospital in Gaza

Nilofar Absar
Gaza children listen to story

What It Means to Tell Stories to Gaza’s Children Amid War and Hunger

Husam Maarouf
Randa Jarrar Palestine

“Cultural Institutions Have the Power To Co-Sign or Reject Genocide”: Randa Jarrar on Refusal, Resistance, and ‘The Last Palestinian’

Kaashif Hajee
Frantz Fanon

Frantz Fanon Stands for Revolutionary Love, Not Violence: Featuring Hassane Mezine

Bhakti Shringarpure
When We Were Arabs Massoud Hayoun

When We Were Arabs: Massoud Hayoun’s Literary Resistance to Zionism

Aysha Sana
Hunger Games

The Selective Politics of the Hunger Games’ Fandom

Maryam Ahmad
Tara on her music

Discovering Tara: Music with Palestinian Origins and Political Meaning

Miriam Viscusi

ABOUT US
MASTHEAD
EVENTS
SUPPORT US
SUBMISSIONS
ARCHIVE

default-logo
Facebook Twitter Instagram Youtube Soundcloud

The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

All donations are tax deductible. Our EIN: 82-4072305

Facebook-f X-twitter Instagram Youtube Soundcloud

[mc4wp_form id=”1367″]

Designed by Collectively Hyd.
© 2021. THE POLIS PROJECT . All rights reserved.

X
  • About
  • Archive
  • Research
  • Submissions
  • Events
  • Masthead
Subscribe To Substack

Menu
  • About
  • Archive
  • Research
  • Submissions
  • Events
  • Masthead
Untitled-1-2.svg
instagramTwitterYoutube Soundcloud