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Polis Project

Reviews

The Imaginary Institution of India: Art 1975-1998. Installation view.

All We Imagine As India: On the Barbican’s Latest Exhibition

Vamika Sinha
A still from Kottukkaali

Kottukkaali Is A Homage To Resilience In The Face Of Patriarchal Oppression

Adithya Kamesh
A still from Hyenas, directed by Djibril Diop Mambéty.

Hyenas: Djibril Diop Mambéty’s 1992 Masterpiece Reflects The Anger Of The Spurned

Dylan Fugel
Ajay Devgan as Bajirao Singham in Singham Again.

Hindu Heroes and Muslim Demons: How Singham Again Retells the Ramayana in Troubling Ways

Sohini Sarah Pillai
No City for Women poster, echoing the impact of Yugantar Film Collective.

Four Decades Later, No City for Women Echoes the Enduring Impact of Yugantar Film Collective’s Path-Breaking Documentaries

Aditya Shrikrishna

The burden of innocence and a biased regime: A book review of Abdul Wahid Sheikh’s Innocent Prisoners

Aiman Khan and Arpita Jaya

Blurring Boundaries: A review of Night of the Restless Spirits: Stories from 1984

Shruti Devgan

Debi Cornwall’s Necessary Fictions: On the sustaining fantasies of the forever war

Alexandra S. Moore

India’s upper-caste Hindu dominance risks a civil war that will outlast the Modi regime

Uday Chandra

Patriarchy, agency and the question of caste: A review of Geetha J’s debut feature film Run Kalyani

Aritra Bhattacharya

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The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

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