One rarely gets to record a podcast that is part of a conversation that has lasted ten years. Last week, I spoke to Bombay-based photographer Ritesh Uttamchandani. He is one of the first contemporary photographers whose work I became familiar with in 2007. We have spoken about photography and representation, ethics, and aesthetics stories for over ten years.

Recently, I saw his delightful little book, THE RED CAT AND OTHER STORIES. It is a story about a family, a city and a photographer. It is an honest and intimate work of love and labour that doesn’t pander to ‘isms’. It doesn’t follow the genre of personal photo stories that quickly become an exercise in navel-gazing. It is not a coffee table book, and it doesn’t quote Barthes or Benjamin as a part of a complex sentence that tries to emulate the lexicon of the biennales. Instead, it walks with you, holds you and quietly tells you a story. Its beauty is its subtle eloquence.

I asked Ritesh for five things that have influenced him, and he gave me more :

 In his own words,

1. Radio, our lack of TV, and then Doordarshan exposed me to Indian Cinema, especially Hrishikesh Mukherjee. That whole phase of films about the Indian middle class was all based on small stories—films like Saleem Langde, Pe Mat Ro and international stuff like Red Desert.
2. Family
3. Non-fiction writers like Gay Talese, Kapuscinski, John Mc Phee and recently Rohit Brijnath (sports writer)
4. Aarey Milk Colony
5. My mentors are A Srinivas and Soumitra Ghosh.
6. The White Viv.